“How to See a Glacier in a Climate Landscape,” Weber—The Contemporary West 34.1 (Fall 1541-18121919150572018): 123-137.







“The Political Energies of the Archaeomodern Tool,” Mediations: Journal of the Marxist Screen Shot 2019-07-11 at 5.50.58 PMLiterary Group 31.2 (Spring 2018): 79-98. Special issue: Materialism and the Critique of Energy,  edited by Brent Bellamy and Jeff Diamanti.







Resource Systems, the Paradigm of Zero-Waste, and the Desire for Sustenance,” Figure 1 (Hirschhorn)Postmodern Culture 26.2 (2016). Special issue on “Resource Aesthetics” co-edited by Michael O’Driscoll, Mark Simpson and Brent Bellamy.





“Plastic, Oil Cultures and the Aesthetics of Waste,” Out of Sight, Out of Mind: The Politics 2016_i1_cover-1and Culture of Waste. Special issue of  Perspectives:Transformations in Environment and Society, ed. Christof Mauch (2016.1): 51-58.  







“Visions of Eternity: Plastic and the Ontology of Oil,” with Andrew Pendakis. E-flux 47 thumbnail47small(Sept. 2013):







“Should Aesthetics ‘Do’ Ecology?” (March, 2013). 1500 words. Entry in The Screen Shot 2016-07-24 at 6.34.41 PMTank, with Mark Cheetham, Gary Shapiro, Nikos Papastergiardis, Alan C.Braddock, and Charles Palermo. Feature: “Ecological Art: What Do We Do Now?” by Mark Cheetham.



“Bird Thanatology,” with Maria Whiteman. Antennae: The Journal of Nature and Visual 4607350461_290x408Culture 20 (Spring, 2012): 71-78. Special issue on Alternative Ornithologies.







“Waste and the Sublime Landscape,” RACAR (Revue d’art canadien/Canadian Art Review) Fig. 735.1 (2010): 22-31.






“Phenomenology and Interpretation Beyond the Flesh,” Art History 32.4 (Sept. 2009): 690-IMG_1987711.








“Contemporary Art Facing the Earth’s Irreducibility,” Reconstruction: Studies in Screen Shot 2016-07-24 at 5.24.47 PMContemporary Culture 7.2 (Spring, 2007).