Book Chapters

Amanda Boetzkes,“Aesthetic Action, Planetary Praxis, Mel Chin’s The Arctic Is…” Nervous Systems: Art, Systems, and Politics Since the 1960s. Eds. Tim Stott and Johanna Gosse. Durham: Duke University Press, 2022.pp. 192-212.

Amanda Boetzkes and Jeff Diamanti, “At the Moraine,” Accumulation: The Art, Architecture and Media of Climate Change. D. Barber, N. Hirsch, and N.Axel Eds. Minneapolis: University of Minnesota Press, 2022.

Amanda Boetzkes,“Posthuman Vectors and the Production of a Common Flesh,” The Posthuman Pandemic. Eds. Saul Newman and Tihomir Topuzovski. London, UK: Bloomsbury Press, 2022 .  

 

Amanda Boetzkes,“Oil Wasting: The Necroaesthetics of Energy Expenditure,” Routledge Handbook of Waste Studies. Eds. Gille Zsuzsa and Josh Lepawsky. New York: Routledge Press, 2022, pp. 267-274 . 

 

Amanda Boetzkes, “Ecological Postures for a Climate Realism,” Climate Realism: The Aesthetics of Weather and Atmosphere in the Anthropocene. Eds. Lynn Badia, Marija Cetinic and Jeff Diamanti. New York: Routledge Press, 2021, pp. 19-32. 

Amanda Boetzkes,“The Political Energies of the Archaeomodern Tool,” Materialism and the Critique of Energy. Eds. Brent Bellamy and Jeff Diamanti. MCM’ Publishing, 2018, 443-470 .

 

Amanda Boetzkes,“Art,” The Edinburgh Companion to Animal Studies. Eds Lynn Turner et al . Edinburgh: Edinburgh University Press, 2018, 65-79 .

 

Amanda Boetzkes, “Plastic Vision and the Sight of Petroculture,” Petrocultures: Oil, Energy, Culture. Eds. Imre Szeman and Sheena Wilson. Montreal: McGill Queen’s Press, 2017, 222-241 .

Amanda Boetzkes, “Solar,” Fueling Culture: 101 Words for Energy and Environment. Eds. Imre Szeman, Jennifer Wenzel, and Patricia Yaeger. New York, NY: Fordham University Press, 2016, 314-317 .

 

Amanda Boetzkes,“Ecologicity, Vision and the Neurological System,” Art in the Anthropocene: Encounters Among Politics, Aesthetics, Environments and Epistemologies. Ed. Heather Davis. Ann
Arbor: Open Humanities Press, 2015. pp. 271-282.

 

Amanda Boetzkes and Aron Vinegar, “Introduction”. Heidegger and the Work of Art History. Eds. Amanda Boetzkes and Aron Vinegar. Burlington, VT: Ashgate Press, 2014, 1-33. And:

Amanda Boetzkes, “Affordance and the Interpretation of Things,” Heidegger and the Work of Art History. Eds. Amanda Boetzkes and Aron Vinegar. Burlington, VT: Ashgate Press, 2014, 269-292.

 

Amanda Boetzkes, “Eco-Art and Criticism,” The Encyclopedia of Aesthetics, 2nd edition. Oxford: Oxford University Press, 2014, Volume 2, pp. 449-453.

 

Amanda Boetzkes, “Brush Creek Valley: Adena or Fort Ancient Culture,” (Great Serpent Mound) and “Presidio Park” (Andy Goldsworthy’s Spire), in Art & Place: Site-Specific Art of the Americas. London: Phaidon Press, 2013, pp. 123; 324.

 

Amanda Boetzkes, “Techniques of Survival: The Harrisons and Environmental Counterculture,” West of Center: Art and the Counterculture Experiment in America, 1965-77. Eds. Elissa Auther and Adam Lerner. Minneapolis: University of Minnesota Press, 2011, pp. 306-323.

 

Amanda Boetzkes, “Phenomenology and Interpretation Beyond the Flesh,” Art History: Contemporary Perspectives on Method. Ed. Dana Arnold. Malden, MA: Wiley-Blackwell, 2010, pp. 34-55.