Essays and Other Publications

“Waste,” Connectedness—an Incomplete Encyclopedia of the Anthropocene, the exhibition catalog of the Danish pavilion at the Venice Architecture Biennale, edited by Marianne Krogh. Copenhagen: Strandberg Publishing, 2020. 180-184.




Forum on S. Zabala, ‘Why only art can save us'” ed. by D. Angelucci, with S. Zabala, D. Angelucci, A. Boetzkes, P. Kottman, I. Perniola, in Lebenswelt, Aesthetics and Philosophy of Experience, 114-154.




“Technophilia Entre-Nous,”  The World After Us: Imaging Techno-Aesthetic Futures. Nathaniel Stern,  Museum of Wisconsin Art, Milwaukee, 2020, 50-71.







Screen Shot 2019-06-04 at 3.37.27 PM“Prosthetic Carapace,” Grafting. Toronto: Blackwood Gallery, 2018. Issue 01 of Broadsheet series by The Society for the Diffusion of Useful Knowledge.









“Visualizing Water” Reading the River: The Ecological Activist Art of Basia Irland (Sittard, 6131yWkdQRLND: Museum De Domijnen, 2017), 187-196.







 “Visualizing the Multitude—The Species Wall,” You Must Carry Me Now: The Cultural 61ye3tI5AyL._SY344_BO1,204,203,200_Lives of Endangered Species – Snaebjornsdottir/Wilson (Stockholm:248Forlaget, 2015), 197-209.








ken-lum-2009-2010-i-said-no-audain-gallery-vancouver-photo-by-gordon-brent-ingram“New Historical Materialisms,” Eflux conversations, curated by David Hodge and Hamed Yousefi (February 2015).






“The Eternal Image of the Animal—Maria Whiteman, Taxonomia,” for Maria Whiteman, Taxonomia, at Latitude 53 Gallery, Edmonton, AB, 2011.







IMG_1990“Sandra Bromley—Fire,” Sandra Bromley—Fire, at the Art Gallery of Alberta, Edmonton, AB, 2010.








1 GS vienna view“Sandra Bromley and Wallis Kendal—Gun Sculpture,” Vienna International Center,
Vienna, 2010.