Book Chapters

A. Boetzkes, “An Excessive Vision of Solarity’s Prize-Fighters,” Solar Futures and Future Solidarities. Eds. Sara Branco and Claudia Peppel. Berlin: ICI Press, 2026. (3000 words).

A. Boetzkes, “Ecology’s Spectres and the Reorigination of Ecocritical Art History,” Methods for Ecocritical Art History. Eds. Andrew Patrizio and Olga Smith. Manchester: Manchester University Press, 2025.

A. Boetzkes. “Capitalist Prize-Fighter: After the Solar Observer of Modern Life,” Sun Burn. Ed. Hugo de Almeida de Pinho. Mousse Publishing, 2025. (2500 words).

A. Boetzkes, “400mm-700mm+. White*Rot,” Spectral Futures: Philosophies of the World to Come. Ed. Bernd Herzogenrath. London: Bloomsbury Press, 2025. (4000 words).

A. Boetzkes, “On Melting Ice with Jessie Kleemann,” Life in Art – Phenomenology and World Making. Eds. Helen Fielding and Mariana Ortega. Bloomington: Indiana University Press, 2025 (6000 words).

A. Boetzkes, “Mediation, Global Theatre and Art’s Realism After Truth,”15 Years of Speculative Realism. Eds. Hilan Bensusan and Charlie Johns. London: Zer0 Books, 2024. 327-344.

A. Boetzkes, “Futurities,” Contemporanea: A Glossary for the Twenty-First Century. Eds. Michael Marder and Giovanbattista Tusa. Cambridge, MA: The MIT Press, 2024, 333-341.

A. Boetzkes, “Tupilaq (In the Shadow of Solarity),” Solarities: Elemental Encounters and Refractions. Eds. Jeff Diamanti and Cymene Howe. Goleta, CA: Punctum Press, 2023, 215-230.

A. Boetzkes, “Icy Phantasms and the Grey of Ethno-Aesthetics,” Grey on Grey: At the Threshold of Philosophy and Thought. Eds. Kamini Vellodi and Aron Vinegar, Edinburgh: Edinburgh University Press, 2023, 387-419.

A. Boetzkes, “Behind the Sun: The Theater of Oil Expenditure,” The Environment and Ecology in Islamic Art and Culture. Eds. Radha Dalal, Sean Roberts and Jochen Sokoly. New Haven: Yale University Press, 2023, 193-207.

A. Boetzkes, “C is for Capitalism (Plastic),” Wastiary: A Bestiary of Waste. Eds. Michael Hennessy Picard, Albert Brenchart-Aguilar, Timothy Carroll, Jane Gilbert and Nicola Miller. London: UCL Press, 2023, 15-17.

A. Boetzkes and D. Feldman, “From Plasticity to the Aesthesis of Queer Toxicity,” Plastics: Culture, Environment and the Politics of Waste. Ed. Tatiana Prorokova. Edinburgh: Edinburgh University Press, 2023, 87-104. Winner of Choice Outstanding Titles award.

A. Boetzkes, “Aesthetic Action, Planetary Praxis, Mel Chin’s The Arctic Is…” Nervous Systems: Art, Systems, and Politics Since the 1960s. Eds. Tim Stott and Johanna Gosse. Durham: Duke University Press, 2022.pp. 192-212.

A. Boetzkes,“Posthuman Vectors and the Production of a Common Flesh,” The Posthuman Pandemic. Eds. Saul Newman and Tihomir Topuzovski. London, UK: Bloomsbury Press, 2022 .  

A. Boetzkes and J. Diamanti, “At the Moraine,” Accumulation: The Art, Architecture and Media of Climate Change. D. Barber, N. Hirsch, and N.Axel Eds. Minneapolis: University of Minnesota Press, 2022.

A. Boetzkes,“Oil Wasting: The Necroaesthetics of Energy Expenditure,” Routledge Handbook of Waste Studies. Eds. Gille Zsuzsa and Josh Lepawsky. New York: Routledge Press, 2022, pp. 267-274 . 

A. Boetzkes, “Ecological Postures for a Climate Realism,” Climate Realism: The Aesthetics of Weather and Atmosphere in the Anthropocene. Eds. Lynn Badia, Marija Cetinic and Jeff Diamanti. New York: Routledge Press, 2021, pp. 19-32. 

 

A. Boetzkes,“The Political Energies of the Archaeomodern Tool,” Materialism and the Critique of Energy. Eds. Brent Bellamy and Jeff Diamanti. MCM’ Publishing, 2018, 443-470 .

A. Boetzkes,“Art,” The Edinburgh Companion to Animal Studies. Eds Lynn Turner et al . Edinburgh: Edinburgh University Press, 2018, 65-79 .

 

A. Boetzkes, “Plastic Vision and the Sight of Petroculture,” Petrocultures: Oil, Energy, Culture. Eds. Imre Szeman and Sheena Wilson. Montreal: McGill Queen’s Press, 2017, 222-241 .

 

A. Boetzkes, “Solar,” Fueling Culture: 101 Words for Energy and Environment. Eds. Imre Szeman, Jennifer Wenzel, and Patricia Yaeger. New York, NY: Fordham University Press, 2016, 314-317 .

 

A. Boetzkes,“Ecologicity, Vision and the Neurological System,” Art in the Anthropocene: Encounters Among Politics, Aesthetics, Environments and Epistemologies. Ed. Heather Davis. Ann
Arbor: Open Humanities Press, 2015. pp. 271-282.

A. Boetzkes and Aron Vinegar, “Introduction”. Heidegger and the Work of Art History. Eds. Amanda Boetzkes and Aron Vinegar. Burlington, VT: Ashgate Press, 2014, 1-33. And:

Amanda Boetzkes, “Affordance and the Interpretation of Things,” Heidegger and the Work of Art History. Eds. Amanda Boetzkes and Aron Vinegar. Burlington, VT: Ashgate Press, 2014, 269-292.

 

A. Boetzkes, “Eco-Art and Criticism,” The Encyclopedia of Aesthetics, 2nd edition. Oxford: Oxford University Press, 2014, Volume 2, pp. 449-453.

 

A. Boetzkes, “Brush Creek Valley: Adena or Fort Ancient Culture,” (Great Serpent Mound) and “Presidio Park” (Andy Goldsworthy’s Spire), in Art & Place: Site-Specific Art of the Americas. London: Phaidon Press, 2013, pp. 123; 324.

 

A. Boetzkes, “Techniques of Survival: The Harrisons and Environmental Counterculture,” West of Center: Art and the Counterculture Experiment in America, 1965-77. Eds. Elissa Auther and Adam Lerner. Minneapolis: University of Minnesota Press, 2011, pp. 306-323.

A. Boetzkes, “Phenomenology and Interpretation Beyond the Flesh,” Art History: Contemporary Perspectives on Method. Ed. Dana Arnold. Malden, MA: Wiley-Blackwell, 2010, pp. 34-55.